Flash Fiction Festival 2026

Festival Coaster Competition Winners!

We had an excess of coasters (pictured here) for the bar at the flash fiction festival and somebody (I think it was team member Sara Hills) had the good idea of running a festival contest for a story, short enough to fit on the back of the coaster. Then we remembered that distinguished writer and teacher, Pamela Painter, ran a half an hour workshop for the whole assembly at the first ever flash fiction festival in Bath, in 2017, on how to write a story encapsulated in a title. ‘When the Title of the Story is the Story.’ And this is what we asked writers to do. I think we had about 50 or more entries and three team members had a fun late night session on Saturday to choose the winners. Many congratulations to Anne Howkins, Judy Dawson and Sonora Hills whose excellent compact stories will feature in this year’s Festival Anthology. They’ve also won free entries to Bath Flash Fiction Award.

First Prize

The Transformative Significance of the Use of Black and White and Birds and Fish in Escher’s Sky and Water When the End of Civilisation Is Imminent and Your Artist Boyfriend Stands You in Front of This Linoprint Instead of Monet’s Lilies or Van Gogh’s Sunflowers and All He Can Prattle on About Is Looking at the Change in Perspective.

by Anne Howkins

Bio: Anne also won first prize in the June 2026 Bath Flash Fiction Award with her story ‘The egg-wife easy-jogs to market.’ She lives near Nottingham, UK. Recent stories can be found at Dribble Drabble Review, Paragraph Planet, Bulb Culture Collective, and NFFD and Bath anthologies. Trying to assemble words into something meaningful is what she does when not sitting about prevaricating, or being stupidly busy. Bluesky: @anneh23.bsky.social

Two runners-up

The importance of having a chainsaw license
by Judy Dawson

Bio: Judy Dawson has lived and worked in Mexico for many years. She has always written fiction in her spare time but has only recently discovered Flash Fiction. This was her first time at the festival and she attended with her mother. Judy has been lucky enough to meet two strong women who do actually have chainsaw licences.

The last letter to your mother sits unopened behind an empty bottle of Xanax

by Sonora Hills

Bio: Flash Fiction Festival team member, Sonora Hills, is a writer, scientist, and daydreamer. She loves experimenting with genre and is always finding new, wacky mediums to tell stories with. Her work has been published in FlashFlood, The Quarterday Review, and the 2024, 2025 and 2026 NFFD anthologies. When not working on her debut novel, Sonora can be found curled up with her cats watching the sun set over the Peak District.

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Festival Photo Gallery 2026

Thank you to everyone who donated prizes and bought tickets for the raffle in aid of the national Penny Brohn Cancer Help centre, based in Bristol. £454!

And below, there’s a gallery of all the photos I collected off social media from the festival. Pictures of the whole assembly, books and the bookshop, the workshops, many happy-looking duos, trios, karaoke singers and other shots of proceedings. Thank you to everyone for coming. It was such a lovely time, so many talented writers from around the world. So much fun. Next year’s date is booked on 9th, 10th 11th July 2027 in the same venue. We usually open booking in February but I am hoping for an earlier opening date for next year.

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Two New Flash Fiction Books For Sale at the Festival

We’d thought we’d highlight a few new novellas in flash and flash fiction collections that will be available at the festival bookshop. We’ve two on this post and more to come on other posts soon. Quite a few authors coming have new books out!

Writer and co-director of National Flash Fiction Day, UK< Diane Simmons, who is the regular judge for the online flash fiction festival mini-contests, is on a panel at the in-person festival with Jupiter Jones and Fiona J Mackintosh (check out the workshop page) talking about Historical Novellas in Flash. And she’s just about to publish her fifth novella-in-flash, Bereft of Reason, (shortlisted in the Bath Flash Fiction novella in flash Award in 2025). More details below.

Our second author on this post is Dave Alcock, a writer from Devon, UK, who’s been to the festival many times and this year is only able to come on the Friday afternoon and evening readings. You’ll still be able to buy his new collection though in the bookshop. It’s was published by Arroyo Seco Press in April and is available on Amazon Scroll down to read more about Dave, and reviews by Francine Witte and Clare McQueen and find more reviews in the book and on Amazon, including from John Brantingham and James Thomas.

Bereft of Reason by Diane Simmons

Diane Simmons new flash fiction novella Bereft of Reason will be published by V. Press on 1 June and you can buy it directly from Diane on her website if you are not coming to the festival in July.

Set in 1890s northern England, Bereft of Reason is inspired by a shocking crime that occurred in the author’s history.

Praise for Bereft of Reason

Diane Simmons is an accomplished writer with an excellent eye for period detail and an acute ear for dialect, both on display in her latest, dazzling work, Bereft of Reason. Set at the tail end of the nineteenth century, the story concerns a horrific crime and explores the rippling consequences experienced by both family and the wider community. Simmons steps seamlessly between characters, never allowing the reader to settle in judgement. In so doing, she enlarges our capacity for empathy, even when faced with an abhorrent act. This is a well paced, page turner peopled with distinct characters I won’t soon forget.

Alison Woodhouse

Bereft of Reason uses a fascinating ensemble cast structure to tell a compelling story about a crime in the 1890s. The multiple points of view allow Diane Simmons to work through a variety of male and female perspectives upon the central event, in a way that draws out implications and rewarding resonances for our contemporary world. Simmons fuses plot, action and dialogue so skilfully for character-led dramatic realism, as fans of her four previous novellas-in-flash will know. But in effortlessly wielding an ensemble cast structure to deliver a study of how society deals with crime, it feels like Simmons is expanding her writing – and the genre of historical flash fiction – in brand new ways. It’s wonderful to see.

Michael Loveday

Things Like This by Dave Alcock

Dave Alcock is a writer based in Devon, England. His short forms have appeared in a range of online journals that includes Every Day Fiction, Flash Frontier, MacQueen’s Quinterly, The Journal of Radical Wonder, and The Dribble Drabble Review. His work has been nominated for Best Microfiction, Best Small Fictions, and Best of the Net. Things Like This is his debut

Praise for Things Like This

Things Like This is a collection shaped by memory, family, change, and the fragile beauty tucked inside ordinary life. These pieces move through grief, childhood, love, aging, and wonder, finding what is tender and unsettling in the everyday. Alcock’s language is vivid, lyrical, and sharply observant, rich with image and rhythm. He brings emotional depth to small moments, turning them into scenes that feel immediate, luminous, and quietly lasting. A beautiful read.
—Francine Witte, author of RADIO WATER

In his debut collection of flash literature, Things Like This, Dave Alcock explores the often-underestimated significance of marginal events. Day to day, we tend to overlook such events as trivial, yet they may shape our lives in unexpected ways. At turns eccentric, uncanny, enigmatic, visceral, and evocative, Alcock’s memorable micro-works spotlight liminal spaces and reveal the extraordinary in the ordinary.
—Clare MacQueen, founding editor of MacQueen’s Quinterly

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