For the November 2025 Great Festival Flash Off mini contest, Jude gave two choices as writing prompts. One, a CNF about learning (or never learning) to swim, and another prompt sparked by surfers on an Australian beach. Most entrants chose the learning to swim story. The picture shows Jude’s mother teaching her to swim in the 1950s (favourite photograph). There were many inventive stories and Diane Simmons our judge (who reads anonymously) said she enjoyed reading them all very much First prize this time goes to Ingrid Jendzrejewski for her cnf piece, ‘Swim’, and runners up are Erin Bondo with her CNF piece ‘Fish Girl Summer’ and Alexis Somerville with ‘Adult Beginner’. Big congratulations to all and thank you to everyone who entered this time.
The stories are reproduced below together with Diane’s comments. All three winners will also be published in the 2026 Flashfiction Festival Anthology and receive prizes of books and free entries to BFFA.

First Prize

Swim

by Ingrid Jendzrejewski

In the lake on my own with half of Shagbark Girl Scout Troop 314 cheering from the edges — it’s a challenge, a challenge, to swim as far as we can without taking a breath and even though I’m in a grubby hand-me-down suit I know I’m good at this, good at this, so good I’m streaming through the water and I’m sure beyond sure I can swim farther than the girl in the striped bikini, the one with the nice hair and nail polish even at age 10 and the pierced ears and the perfect teeth and so I’m going for it, really pulling the water, swimming like a bullet from a shotgun and I keep holding my breath and I keep going going going even though I know I’m going under under under the decking and even though my lungs are starting to beg for air, there’s no turning back now because that girl with the bikini and the hair and the nail polish she has so much, so so much more that I’ll ever have and people like her and talk to her and she knows how to talk to people and how to make everyone be friends with her even though she also sits above everybody and lets everybody know it without saying a word and she’s so perfect perfect perfect almost perfect but there’s this one thing I can do better — this one thing — I can hold my breath until my lungs hurt and I can harden my heart when they plead and burn I can swim swim swim swim swim until I’m well beyond the buoys, well beyond the places girls like me are meant to be and above my head there’s the Styrofoam underneaths of decking slick with algae and this feeling that even when I get to the other side of the dock and finally crest for air there will always always always be something over my head, keeping me underwater forever forever forever.

Bio. Ingrid Jendzrejewski is co-director of National Flash Fiction Day UK, an editor, a writer and a writing tutor. She has published over 100 shortform pieces and has won multiple flash fiction competitions, including the Bath Flash Fiction Award and the A Room of Her Own Foundation’s Orlando Prize for Flash Fiction. Her short collection Things I Dream About When I’m Not Sleeping was a runner up for BFFA’s first Novella-in-Flash competition. She has been nominated for a Pushcart Prize, Vestal Review’s VERA Award, and multiple times for Best Small Fictions.

Diane Comments:Swim
This is such a clever use of the breathless paragraph. Like the girl in the story, I too held my breath, feeling such tension as the girl swam and swam ‘well beyond the buoys, well beyond the places girls like me are meant to be…’. I’m a fan of a strong ending and this lands perfectly.

Runner-up

Fish Girl Summer

by Erin Bondo

She wakes up gasping for water, the rough slit of gills puckering the skin below her ears, like every morning since they arrived. Fish Girl is down the cottage steps and gone before she can be caught, lets the screen door slam on her mother’s eat something first, please! A perch-yellow suit snatched from the line, a wrangle of vestigial limbs, she sprints the still-cool sand to the lip of the lake, hurls her changing body at its sky-mirrored surface, disappears beneath. Loping ripples are the only trace of her nightly return to dry land.

The cold water welcomes her, runs soothing fingers across sun-scaled skin, teases free the knots of another splintered night’s sleep, tutting along as Fish Girl bemoans her early bedtime, her brother’s bogarting the only fan in the heat-steeped bedroom. The lake doesn’t care Fish Girl is the youngest, never says maybe next year or because life’s not fair or why don’t you just keep Gramma company? Here she is eely fast, the knowledge knitted into fascia and bone, a reminder swimming, like breathing, comes from before – before fear, before her memory reel stutters to a start with the smell of damp soil and a freshly opened pack of Trident spearmint stick gum. Before the word lonely.

Fish Girl dives deeper, her belly dredging the wrinkled lakebed on the hunt for lost golf balls and submerged landmarks: Turtle Rock, perfect for diving, its wide-flat shell a family heirloom, and Beetle Rock, the size of a sunken Volkswagen. She thinks maybe she will stay down here, until she is missed, until panicked strains of Fish Girl? Fish Girl! carry from the beach. But the wind stays silent through the morning and into the idle heat of the afternoon, when her stomach begins to squeeze and her gills begin to fade and her body aches for the air and the sky.

She pads back, slowly, swinging open the screen door to wash your feet first, please! and can you help your cousin set the table? and look at you! you’ll turn into a fish if you’re not careful! Fish Girl runs her fingers along the smooth skin of her neck, wishing it were true.

Bio: Erin Bondo grew up in rural Ontario, Canada on the unceded and unsurrendered territory of the Anishinabek and now lives in Scotland. She has been nominated for the Pushcart Prize and placed or listed in a number of competitions, including the Bridport Prize and Bath Flash Fiction Award. She has work published or forthcoming with Kelp Journal’s The Wave, BFFA, Flash Fiction Festival, and others. Find her on Bluesky @erinbondo.com

Diane’s Comments
Fish Girl Summer
I loved the rhythm of this piece and the dialogue worked so well I could hear and see the mother so clearly, especially with the ridiculous ‘you’ll turn into a fish if you’re not careful’. An engaging, original flash.

Runner-up

Adult Beginner

by Alexis Somerville

I was never a swimmer but as a kid I’d go with my siblings to those stark municipal pools with the echoey voices; I’d grasp my float and pretend to swim, neon orange bands hugging my skinny arms, and the best time was always back in our jumpers in the blue-grey lounge with the formica tables and our cheese sandwiches and crisps, hair smelling of chlorine. I was never a swimmer but at school we were supposed to learn and our class would visit alien schools to use their baths and step into rectangles of verruca-proof liquid and flap around in damp swimming cossies slapping against goose-pimpled bum cheeks, and some kids became mermaids while I skulked in the shallow end, clinging hard to the lip of the pool. I was never a swimmer but at 13 I joined an adult beginner class at the local leisure centre where the grown-ups trembled at the edges, stricken with decades of putting this off, and their limbs would not obey them and I saw that maybe I could just kick my legs a little and expand the world. I was never a swimmer but a width became a length and I got a certificate to say I might be some kind of embryonic fish and I wouldn’t perish instantly on contact with water. I was never a swimmer but at 19 I swam across a turquoise lake surrounded by pines and I still don’t know how. I was never a swimmer and I still won’t swim in the sea but now I live a short motorbike ride from the coast and my partner is a swimmer so I watch from the shore as he plays in the waves like a seal. I was never a swimmer but sometimes I wade out into the North Atlantic and feel the icy line burning across my thighs and breathe the salt air and catch the lather of waves in my hands. I was never a swimmer so I don’t stay long in the ocean; I paddle back through the shallows for a picnic on the beach – not only cheese and bread and crisps but also grapes and olives and pastries. I was never a swimmer so after lunch I lounge on the warm sand and read, or draw, or write.

Bio: Alexis Somerville is based in Portugal, where she teaches undergraduates. She is originally from York, UK and studied creative writing at the University of Leeds. Her short fiction has been published in several literary journals and highly commended in the Edinburgh Flash Fiction Award. Her poetry translations have appeared in the Portuguese/English anthology Dez Ar Mar. Cipher Press have published her illustration work.

Diane’s comments Adult Beginner
The repetition of ‘I was never a swimmer’ works well in the flash and the use of so many specific details helped engage me as a reader. The ‘verruca-proof’ liquid totally resonated with me as I remembered my own grim swimming lesson experiences.

We’re very pleased to announce our much delayed Flash Fiction Festival Anthology Vol seven has now been posted out to contributors. There are 88 stories within the anthology from participants and presenters who attended our online festivals in late 2023 and early 2024 and our July 2024 inperson festival. Vol Seven will also be available for sale at Adhocfiction.com (one of our festival sponsors) soon.

This violet-coloured anthology is the last of the ‘Rainbow Series’ of Festival anthologies. The red one was published in 2017 after the first Flash Fiction Festival and Volume five contains stories from the monthly online festivals that Jude hosted during the pandemic years in 2020 and 2021. We’re proud to show all seven covers together in the picture above.

If you are coming or would like to book for the 2025 in person festival, you have another opportunity to be published in our 2025 anthology. There are currently 8 places with accommodation left and ten without accommodation. We’re not sure of the colour for this year’s yet! We already have some stories to be published by the winners of the online festival days in late 2024 and January this year. (Read those in other blog posts on this site). Everyone who comes to the inperson festival can submit stories for consideration by Festival Director Jude Higgins and writer and Director of National Flash Fiction Day UK, Diane Simmons, who has helped compiled all of the seven anthologies

If you are a winner of the Pokrass Prize, the festival contest, you will also be published in the anthology

Hope to see you at the 2025 Festival! We have participants and presenters coming from all parts of the UK, Ireland, Germany, France, Switzerland Cyprus, the US, Canada and India. It is very friendly and fun and there are so many excellent and inspiring workshops and panels to choose from as well as a bookshop devoted to the short form, the bar with Karaoke entertainment if you want, beautiful grounds and a quiet lounge to chat in with flash fiction friends.

I’m dellighted to announce the results of the mini writing contest from the online flash fiction day on 11th January. Thank you to everyone who entered. Stories were prompted by this painting, A 1944 Pastoral: Land Girls Pruning at East Malling by Evelyn Mary Dunbar (1906–1960) and a few suggestions from me (Jude) to create some funny flssh. Some people stayed close to the picture, some introduced women in other scenarios. I agree with our judge, Diane SImmons, that those who didn’t win should send their stories elsewhere for a chance of publication. So many excellent stories submitted. Many thanks again to Diane,,our resident online festival competition judge and co-director of National Flash Fiction Day, UK for choosing this selection. Here are her comments:

I thoroughly enjoyed reading the entries to the competition. It made a wonderful change to read so many humorous stories. Some of the flashes made me laugh out loud and any that did automatically went into my shortlist pile. There were also several well written stories that I really enjoyed where the humour element of the challenge seemed to be forgotten, which was a shame – I’m sure that these stories would do well if submitted elsewhere.

First Prize:The Shape of a Winner

by Laurie Swinarton

Minutes ago, Cora Lambert held up broken arms, like surrender flags, and announced she can’t represent Bishop’s Hollow in the semi-finals of the Great British Topiary Shape Off and Daphne Tingle – member of the gardening club, bridge team captain and occasional shoplifter – can taste being Cora’s replacement. In the pebbledash village hall, under the flicker and buzz of fluorescent lights, she waits for the mayor to ask her. She downs a bottle of Corona then flays a grape and eats the innards. Grape skins are left behind like broken butterflies.

Daphne never set out to seriously hurt anyone. But she doesn’t want to be a loser. Decades ago, the girls in her PE class nicknamed her Deadweight Daffy. You know the type of girls. The ones with arms the size of oars, legs as swift as Shetland ponies. The ones who pinned athletic ribbons to their cardigans and stole cigar flavoured kisses from the men who worked at the carnival.

Now Cora’s announcement has created a hullabaloo. The mayor scratches her neck until it looks like she has a hickey. She whispers something to her bug-eyed husband. His eyebrows form exclamation marks then settle back down.

Daphne picks at a cuticle, thinks of her secateurs, imagines her hands snug in their worn, leather garden gloves, feels the weight of her shears as they twirl through a box hedge and transform it into an upward spiral before shaping it into the word WINNER. Her face almost bursts open, her body nearly extends itself like a climbing clematis seeking summer’s light. She’s no deadweight.

The mayor, who has IBS and too much paperwork, has a face that is sharp like a triangle. She taps her fingers on top of the microphone and, as dust rises, she declares the town will withdraw from the competition as there have been “accusations.”

And, for one second, Daphne closes her eyes and sees Cora Lambert’s tripod ladder folding in on itself like origami paper or a pair of collapsing binoculars. Her stomach turns sour; spicy fear pricks at her throat. She rifles through her tote bag: looks for Dramamine, an antacid, an escape. Instead pulls out glasses, an emery board … and a handful of steel bolts. Christ! She shoves everything back into the bag, pushes it away like it’s on fire. Her face blooms like a red azalea and she blows on her scorched hands.

Bio:Laurie Swinarton is a part-time writer and full-time tea addict who finds contentment buried in a book with a cup of lapsang souchong tea steeping nearby and Bach playing in the background. When not doing that, she can be found yelling out her window at loud cars. You can find her on Bluesky @laurieiswriting or on Twitter @LaurieSwin21

Diane Simmons’ comments
This flash about skulduggery in the Great British Topiary Shape Off competition made me smile from the first line, then laugh out loud at the phrase, ‘The mayor, who has IBS and too much paperwork…’ – a phrase that made the woman who was washing my hair at the hairdressers laugh too! I also loved the casual mention of Daphne Tingle’s shoplifting.

Runner up; A Pleasant Afternoon Spent Birding in Kent

by Erin Bondo
– after Evelyn Dunbar’s A 1944 Pastoral: Land Girls Pruning at East Malling

The orchard thrums with their varied pips and trills, with birds that’ve flocked here from all over. Loudest is the green woodpecker – there, with the red cap – her high-pitched tsiu-tsiu-tsiu-tsiu puncturing the thin winter air as she yaffles away at a joke only another Scouser would get. And that dunnock from Dorset – the wee plain thing, there on the right? – she’ll be warbling on again about some perceived slight: someone’s nicked her armband, someone’s nicked her hair brush, someone’s nicked her rations; somehow, someone’s always nicked her rations. And now that’s her chirping accusations at the shy West Country wren – it-was-you, Doreen, it-was-you!
Meanwhile, watch the magpie, a way up that tallest ladder. She’s a primper and a preener, sleek black hair in a high shine and pleasantly plump, all those extra butter rations no doubt. She’s trying to catch a glimpse of the Italian sparrows working the neighbouring land, she’ll make beady eyes at them on the way in from the fields, eyes that say meet me behind the garden shed at midnight – what Mr Magpie doesn’t know and all that.
And the yellow wagtail – there, on the left – she’s a plucky one, always chitter-chattering about her grand London debut once the males migrate back from the continent. Tonight in the dormitory she’ll put on a show for us, puff out her chest and waggle that tail like she’s Betty Grable in ‘Moon Over Miami’ until even the gloomy little stone-curlew cracks a smile – she’s gone a bit funny since that telegram arrived last week, the poor lamb.
But until the bell rings for tea here we’ll stay, churr-ing and chiff-chaff-ing away, making the best of this drab plumage, waiting for the day we can soar.

Bio: Erin Bondo grew up in rural Ontario, Canada on the unceded and unsurrendered territory of the Anishinabek and now lives in Scotland. She has been longlisted for the Welkin Mini prize and this is her first published flash piece. Find her on Bluesky @erinbondo.com

Diane’s comments

This was a clever and creative interpretation of the prompt that made me smile throughout and as soon as I’d finished reading, I went back to reread it. I particularly enjoyed the language in this flash.

Runner up;The Deadwood Stage

by Chris Cottom

The director doesn’t take to Terri, calls her a troublemaker, a Trotskyite. We call her the best thing to happen to collective bargaining since the Tolpuddle Martyrs.

We imagine our awayday will be some ‘outcome-focused’ bonding in a boutique hotel, playing with giant Lego, a facilitator yelling ‘One more minute!’ like a demented gameshow host. Instead, we’re mini-bussed to one of the director’s other businesses, an orchard outside Evesham, for a ‘pruning immersion experience’.

Terri’s eyes are fierce. ‘It’s a metaphor for redundancy. Deadwood. Geddit?’

‘Nah,’ I say. ‘You’re pulling my wire.’

‘Wanna bet? It’ll be Lean Team on the left, P45s on the right.’

The pressure starts in the ‘Briefing Zone’, ie shed, with not enough wellies and raincoats. ‘Listen,’ Terri shouts. ‘It’s obvious they want us fighting like barn cats. Stand firm, girls! Remember your grannies telling you about Greenham.’

We troop out through the mud, we chop and lop, we bundle and burn.

‘Be brutal with any branches rubbing together,’ the instructor says. ‘Keep the healthiest, the one in the best position.’

Terri nudges me. ‘Told you. And he’s no farmhand. Management consultant, more like. Look at his fingernails.’

When we break for lunch – pasty and apple turnover – the director’s Tesla is charging outside the juicing parlour.

‘He’ll be inside, practising his squeezing-the-pips speech,’ Terri says.

People say Terri’s a toughie, lives in a throuple, loves to arm-wrestle. We say she should tell the director where to shove his awayday.

She takes my loppers, whips out a nailfile, sharpens them gleaming. I expect the Tesla cable’s first for the chop, but Terri yanks off her headscarf and barges into the juicing parlour, calling the rest of us to follow.

The director is Alan Sugar without the charm. ‘Come to negotiate, Little Miss Red?’

Terri stands silent, arms crossed, loppers aloft.

‘I’ll lay it on the table,’ he says. ‘Redundancies for half the firm. Or everyone goes on zero-hours contracts.’

Terri kicks the table over. ‘There’s a third way, shithead! Employee ownership.’

‘No chance!’

Terri jabs the loppers into his crotch. ‘One move and these beauties bite.’

We form our community interest company that afternoon. The ex-director calls Terri a thug, a terrorist. We call her our saviour, our chief executive.

***Bio: Chris Cottom lives near Macclesfield, UK. He has work published or forthcoming in 50-Word Stories, 100 Word Story, Eastern Iowa Review, Flash 500, Flash Frontier, Free Flash Fiction, NFFD NZ, NFFD UK, Oxford Flash Fiction, Oyster River Pages, Roi Fainéant, The Lascaux Review, The Phare, and others. In the early 1970s he lived next door to JRR Tolkien.
@chris_cottom1,@chriscottom.bsky.social, chriscottom.wixsite.com

Diane’s Comments
This was an engaging flash, with an original take on the prompt. I loved the idea of a ‘pruning immersion experience’ and laughed out loud at the line, ‘The director is Alan Sugar without the charm.’

Thanks to everyone who entered the November 30th online Flash Fiction Festival Day contest. Jude provided three picture prompts of optical illusions to choose from. Writers were asked to write stories in three paragraphs with the paragraphs linked using the figure/ground components of the pictures. One of the winning writers used the well-known young woman/old woman picture shown here and two used a picture of astronauts/moon (linked here, but not shown, because of copyright issues).

Congratulations to the winners, Cheryl Markosky, first prize and runners-up Laura Besley and Gill 0’Halloran. Their stories are published below.Thank you also to writer and NFFD Co-Director Diane Simmons, our resident on-line FFF judge, for selecting the winning stories and writing comments.

Diane said this about the entries:
“Jude provided three photographs of optical illusions: a dog/man in the woods; an old lady/young lady, and one with a skull/astronauts and moon/earth. She asked writers to choose one of the prompts and to write a triptych. It was interesting reading the variety of entries, with the astronaut/moon prompt by far the most popular. There were several stories vying for a place and I spent quite a while trying to decide on my final three.” Read in Full

We’re delighted to announce the winners of the Great Festival Flash Off Day which took place on October 26th. For the ‘Signature’ challenge, Jude set the prompt and asked people to consider the painting shown here to spark off ideas and also to recall bad or good haircuts they might have had. In addition, we looked at some great story examples. Thank you to Writer and Co-Director of National Flash Fiction Day, UK, Diane Simmons, who has judged many of the festival competitions. She says: “Thank you to everyone who sent in haircut stories. I really enjoyed reading them and had a good chuckle when I took some printed out stories to the hairdressers to read while my hair was being dyed. It took me a few minutes to realise that the hairdressers was a very appropriate judging place! It was an unusual theme which generated a wide variety of stories, with several stories vying for a prize.” Diane’s also made specific comments on the winners below. Read in Full

Big congratulations, Suzanne Greene, winner of the 2024 Pokrass Prize prompted by the photograph by Louella Lester, above. As well as here, ‘Something Like a Promise’ will also be published in the violet coloured Flash Fiction Festival Anthology, the final book of the rainbow series of festival anthologies, later this year. You can find out more about Meg Pokrass’s prompt and read her general comments about the submissions here. Meg’s comments about Suzanne’s piece are at the end of the story.

Suzanne Greene

Something Like A Promise

Lawrence and Emerald Pilcher miss their city friends so badly they invite them upstate for an orgy. It’s a great success. Okay, there isn’t much actual sex, but they’ve been partying with the same set since the 1960s and they’re used to disappointing each other. The important thing is they’re all envious of the Pilchers’ retirement idyll. ‘Oh, my heart!’ cries Buffy Blennerhassett. ‘All this beautiful wood!’

Lawrence describes the family who previously lived in the sprawling clapboard house. The father deserted them to become a resident Hermit for a tycoon with an English-style country estate in San Antonio. Then the mother turned into a statue on the kitchen floor and the children – all named after the kids on ‘The Waltons’ – had to feed her SlimFast from a watering can to keep her alive. Lies of course, but Lawrence enjoys testing his friends.

Next morning he sits scowling in the kitchen as the friends emerge, grublike, from bedrooms and sofas. Away from the metal pulse of the city they seem greyish, unthrilling. Buffy bounds in and kisses Lawrence on his bald patch. He jumps up and goes out back. He and Emerald have been planning to show their friends the path through the woods to the lake, but too bad. He hasn’t taken to nature as much as he thought he would after reading the blurb on his copy of ‘Walden’ but at least today the birdsong doesn’t scrape his nerves, and when he emerges from the trees the haze of sun on the lake offers something like a promise.

Lawrence walks to the end of the small fishing jetty and stares down into the sullen brown eye of the lake. He wonders how it feels to drown.

An ambulance siren pierces his thoughts. He starts to run towards the house, then asks himself why. Who’s the ambulance for? Buffy? Chuck? Jim? Any of them? No huge tragedy. Not at their age. It could be Emerald, of course. What would he do without her? Move away from here, for one thing. To the coast, maybe. They’d understand each other, him and the restless soul of the sea. For a while anyway. He slows right down. Poor Emerald. Maybe he’ll make more of an effort with her. Maybe he’ll clean up the house, trim back that darned creeper, let the light in. Maybe he’ll let the creeper flourish, swallow him whole.

Meg’s Comments:
“Something Like a Promise” is a story of a stale marriage unsuccessfully revived by an orgiastic reunion of old friends. The story is so perfectly strange, unpredictable, and original I reread it a number of times for the sheer pleasure of reading. Though slightly less haunted than the other entries, the author’s wildly original writing charmed me deeply as it is both darkly funny and masterfully told.

S.A. Greene writes short fiction in Derbyshire. Her work has appeared in lovely places including Janus Lit., trampset, Maudlin House, Flash Flood, Free Flash Fiction, The Phare, Ellipsis, and Mslexia. A lot of her stories have tables in them. Usually kitchen tables, but also dining-room and picnic. One story featured a blue sponge (as well as a dining-table) and it made the Wigleaf Top 50 longlist in 2022. She’s a Resident Facilitator at The Flash Cabin, and tweets at @SAGreene1.

This photograph by Louella Lester was on of the prompts for the Pokrass prize. Find out more about Meg’s promptand her general comments about the winners here. Her comments about Anika’s piece are at the end of the story

Anika Carpenter

The Best Friend I Ever Had

Read in Full